A short bonus episode showcasing a few stand out moments from this weeks guest interview with Debbie Millman

Daring Forever. Podcast with Radim Malinic

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Radim: Hey, welcome to this bonus episode of the Daring Creativity Podcast. This is where I revisit the interview published earlier in the week. Provided me with the opportunity to zoom in on a few stand moments for extra value and meaning. I'm taking time to digest the goodness my guests share with me every single week.

And this week, I was chatting with Debbie Millman about her transformative journey from a pivotal class with Milton Glazer to become in one of the most influential voices in creative conversations, she revealed the power of writing your future. Choosing your character over confidence and redefining the meaning of failure as simply giving up on yourself.

For that reason, I've chosen these topics as ones to highlight in this bonus episode.

confidence. I hear over and over again in my classes. I'll do that when I feel more confident I'm gonna do that when I feel more secure. And I ask them when they think that's gonna be, like, how are you gonna get that way? You can't go into a supermarket and buy a box of confidence.

Debbie Millman: It's not gonna work that way. Confidence my definition of confidence is the successful repetition of any endeavor that you have. Confidence based on previous experience. Keywords, previous experience that the last time you did that thing, you didn't fall on your face, that whatever it was, a podcast, a marathon, a meal that you were making, that somehow you created something that wasn't a failure, and it could be something that you've done.

many times. Or it could also be something that because you've been so successful at other things, you feel like you can have that success, follow you into something else. But the key here is understanding that you've built a foundation of confidence based on the successful repetition of any endeavor. 

I feel lucky. That during the writing of my book, daring Creativity, daring Forever.

I can speak to people like Debbie. And gently getting the topics that I want to know about, more into the conversation and seeing what other people think about it, what experience they have. And I couldn't have chosen anyone more knowledgeable and wiser than Debbie to share with me, insights in a way.

And her way of seeing confidence is fascinating because. The way she dismantles, the most common excuse for creative paralysis is to be confident before starting. How many people wanna write a book and as soon as they open a, you know, the editor, they freeze. How many people try to do a masterpiece or how many times even yourself?

Have started on something new only to find yourself staring at a fish tank thinking, yeah, that needs cleaning. Before I could do any of this. 'cause in Debbie's answer in Debbie's way, She reveals that confidence is something you cannot acquire beforehand because it requires the very experience you're avoiding.

 Confidence emerges only after successful repetition, which only means your first attempt will always happen without any confidence. And this reframe matters because it removes an impossible prerequisite. You cannot feel confident about something you've never done before.

The sequence must be attempt first, survive the uncertainty, gather evidence for experience, and then build confidence from that foundation. think about learning anything fundamental like walking or speaking. And Debbie, I have to really, you know, tip my heart to debut because she's about pooping for the first time.

Any guest used the word pooping. Um, I was quite excited when, uh, Thiago Mayer said the word, George Foreman Grill. But we never had pooping yet, so yeah, that was pretty impressive because we're talking about creatives, we're talking about confidence and facing the blank pages or career pivots.

Understanding of confidence and the way it works is liberating because we can stop waiting for the readiness that can only come after actions. Start with courage instead, knowing that confidence will follow once you have the results to reference.

The second standout moment follows from the same answer about courage.

 Debbie Millman: When you initiated the journey and what provoked you to do that, what motivated you to do that? What gave you the sense that you could do that? Two things. Courage and hope.

Courage and hope. And so you needed the courage to step into that certainty. I'm sorry. You needed that courage to step into that opportunity, that endeavor before you knew what the result would be. The confidence only comes after the result. It never comes before, and so you need to be able to have some faith.

In your own courage to buoy that courage up, to take that first step. And if you think back to all the things we learned how to do, eating, talking, pooping, these all take time. we can't even go to the bathroom without potty training. So why would we think that? Anything else any more complicated than that would be something we could just do successfully out of the gate.

 We can't, that's the first part of this. The second part is that we as humans. Hate uncertainty. The reason we hate uncertainty is because our brains started as reptilian brains and have evolved over time to have three parts, which are reptilian, mammalian, and the neocortex. And the neocortex is the part that we're all very familiar with.

We use it to. Our awareness will creativity, all of that is controlled in that part of our brain. The mammalian brain is what makes us wanna be connected and social and take care of each other. The reptilian brain is all involuntary action. it controls our metabolism and our heartbeat and our heart blink eye blinking.

Things that we don't think about, they just happen in our bodies. 

These two words are the fuel for creative action, courage, paired with hope in yourself, or courage paired with faith in yourself. While confidence relies on the past, evidence, courage operates in the absence of guarantees, 

it acknowledges uncertainty, honestly, while choosing to proceed. Anyway, this distinction transforms how you approach new work to quad means.That vulnerable feeling before starting is not evidence. You are unprepared.

It is the natural state of attempting something without previous successful repetitions To reference, courage means recognizes discomfort as normal, rather than wanting to stop, rather than warning signs to stop. Debbie's own story demonstrated principle. When she took Milton Glazer's class at 45, she had no confidence her ambitious goals would manifest.

She needed courage to write them down anyway to show up despite feeling she had reached a plateau. 13 years later, everything came true, but only because courage initiated the journey when confidence was impossible.

our third moment focused on the meaning of failure.

I think that failure, the only real failure is when you give up on yourself, everything else is losing and losing or rejection and that's fine. we can't win every race. We can't. We can't win anything all the time. It's just not the way the world works, unfortunately.

Debbie Millman: Wouldn't it be great if it did? I think that the only failure is giving up on yourself, and there's a difference even between understanding that you might need to do something different. But if you just give up in defeat, maybe you just needed a little bit more time.

I think there was a great football coach, since we're talking about sports, that said, I never lost a game. I think he was the coach of the Green Bay Packers years and years and years ago, and I can't remember his name, but I can remember the quote. He said, I never lost a game. I just ran out of time. I loved that.

'cause that's a mindset, that's a mindset. That's a mindset of if I had more time, I'd have done it. I would've prevailed. And I think that's really beautiful. 

I've initiated the topic of failure based on my favorite quote from a cycling coach called Charlie Bag, who manages Team EF education. Easy post, and he's got this quote, which I mentioned in the story about a fact that on the way to winning, you're gonna do a lot of losing because losing is a way of trying to win.

But there's a difference between losing and failing. And in his way, he says, failure is not doing what you want to do in the way that you want to do it. So I've managed to squeeze that in in our conversation and it's stared, um, our chat about definition of failure. And I love that in Debbie's way.

 she said that the only real failure is when you give up on yourself. And that prompted me to think this, the internet, or we see people that say, I'm, I've got fear of failure. I've got fear of failure. And in a way, Debbie's definition of giving up on yourself as the only failure made me think that.

There's no such meme as I've got fear of giving up. I've got fear of giving up on myself because ultimately we get disheartened with the lack of progress. But we don't always give up. we don't worry about that. And I just love that moment happened. 

The distinction between losing and failing reframes. Every setback you will encounter in creative work, losing happens constantly because external factors beyond your control determine outcomes. and if you interpret every loss as a failure, you will quit before achieving anything meaningful.

Debbie mentioned her own sports quote, which was about a coach who said, I never lost a game. I've only run out of time because. Failure only happens when you internalize losses so deeply that you stop trying entirely.

The coach who said, maybe I just need a little bit more time acknowledges, that success of and requires persistent through longer runways than expected. And Debbie's own 10 year plan took 13 years to fully manifest If she had interpreted setbacks as failures rather than temporary losses, she would've quit before her goals materialized.

In the last standout moment from this episode, I wanted to ask Debbie about the differences of our decades and how we perceive things.

 Debbie Millman: our twenties are very much about establishing who we are, experimenting, playing, searching, longing. Then we move into our thirties and I think we start to get a little bit more serious about our careers. Some of us get married, we start to think about a family.

We start to accrue the more mature aspects of adulthood, and I think by forties you have achieved a lot of what you'd hoped for in your twenties, if you're lucky and. You begin to consider other things, you start to consider time in a different way. At that point, you know your life is probably halfway over unless you're really lucky and live, a little bit longer into your nineties or a hundred and so things become slightly more both.

Tangible, but also amorphous. you want more, but you're not quite sure how to go about it, and by the time you're in your forties, it's a little bit harder to experiment. one of the things that I've learned as I've gotten older and wrote about in my last book was as I've gotten older, I find it.

 A lot more difficult and vulnerable making to do things that I'm not good at. I don't wanna be humiliated, I don't wanna be embarrassed. I don't wanna seem less than and. It's harder to start new things because I don't want to feel silly or look silly. And so when we're in our forties, I think we're on the one hand trying to reach mastery, but also trying to consider other possibilities.

 I wanted to know from Debbie how she perceives the decades of our lives that change our perception of failure, confidence, courage, and. Uh, honesty, how mortality awareness transform across decades and fundamentally shapes creative risk. Take in mentions that in your twenties, or let's say in our twenties, we got un, we perceive time as unlimited.

 It gives us time to experiment with no urgency. We can afford to fail in public or in quiet. Restart. Explore different pathsbecause we have decades stretched ahead.

But when we get to our forties. We accomplish some goals and begin to question what comes next. Feeling sometimes that time is compressed, but still maintaining some hope for reinvention, for pivot, for future plans. But when we get into our sixties time's finite nature becomes undeniable.

The question ships from someday to, if not now, when, and this awareness can either paralyze you with fear of failure or fear of future, or fear of mortality or liberate you because you finally can attempt postponed dreams.

 the whole concept of daring creativity is the fact that in every decade of our lives, we very much should be continuing to evolve our work, which is driven by urgency rather than being defeated by it.

Because Debbie says, if not now, when, and I say now versus how, like it doesn't matter how much you know about certain things. You just need to do that first step because it matters

my conversation with Debbie is full of beautiful incredible wisdom. Knowledge and insights and just human experience of someone who has been at the forefront of the creative industry for the last 40 years, if no longer, showing us the way how we can think, how we can carry ourselves, how we can invent new opportunities and ultimately gain influence in our industry by just being simply human.

If you haven't checked out a full episode, I very much encourage you to do that, and I will see you on the next episode.